Workshops
*
June 10, 2017
1 to 4 p.m.
For the Love
of Layers
A Mini Workshop
For teens and adults
Bull Run Library Community Room
8051 Ashton Ave, Manassas
Instructor: Kerry Molina
www.kerrymolina.com
June 10, 2017
1 to 4 p.m.
For the Love
of Layers
A Mini Workshop
For teens and adults
Bull Run Library Community Room
8051 Ashton Ave, Manassas
Instructor: Kerry Molina
www.kerrymolina.com
LIMITED SEATING: PRE-REGISTRATION REQUIRED
To register, email myarcadia2@gmail.com
Create layered abstract paintings!
The focus of this workshop is to create the look of many layers with a series of techniques.
Found objects, sponges, texture pastes and more will be used to develop the effects.
The goal will be at least one finished piece, but participants will work on two or three at a time.
Free, but a donation is requested to reimburse the instructor.
Suggested donation (collected at the workshop): $60.00.
Download the flyer and supply list here.
To register, email myarcadia2@gmail.com
Create layered abstract paintings!
The focus of this workshop is to create the look of many layers with a series of techniques.
Found objects, sponges, texture pastes and more will be used to develop the effects.
The goal will be at least one finished piece, but participants will work on two or three at a time.
Free, but a donation is requested to reimburse the instructor.
Suggested donation (collected at the workshop): $60.00.
Download the flyer and supply list here.
|
Previously....
UNDERPAINTING ON COPPER $125 plus supplies Saturday, March 25, 2017 • 10 am to 4 pm Instructor: Patricia Rice • www.PatriciaRiceStudio.com Patricia Rice Studio 5064 Albretch Lane, Warrenton, VA. 20187 During the Baroque Period, Dutch and Spanish masters painted small scale works on copper plates. What they didn’t know then, but what we know now, is that copper is the most archival surface on which to paint in oil! This unique surface, with its warm glow, creates radiant paintings, especially when bits of the copper are left exposed. Students in this class worked from a live model in Rice's home studio using burnt umber and white oil paint to create the portrait. This underpainting can stand on its own as a painting. At left: one of the studies from the workshop, by Kim Oshirak. |
