Workshops
Palette Knife Painting
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with Christine Raymond
Only one seat left in the Feb 29 session, so we've added another on March 7. Register for either below. Learn about tools and techniques for creating beautiful oil paintings using a palette knife. We'll be working from a still life set up in the studio, or you can bring your own reference photos. Taught by award winning artist and art instructor Christine Raymond. Saturday, February 29, 2020 or Saturday, March 7, 2020 1:00 to 5:00 p.m. (both) Creative Brush Studio 8951 Center Street, Manassas Ample on-site parking! |
LIMITED SEATING: PRE-REGISTRATION REQUIRED. $60 per artist; $45 for members of pARTners.
For more information: contactpartnersnetwork@gmail.com
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Previous workshops
Abstract/Mixed Media Learn to think through materials, composition, and processes in this one-of-a-kind, creative art workshop taught by internationally acclaimed and award winning artist Martin Cervantez. |
Introduction to Urban Sketching
- We draw on location, indoors or out, capturing what we see from direct observation.
- Our drawings tell the story of our surroundings, the places we live and where we travel.
- Our drawings are a record of time and place.
- We are truthful to the scenes we witness.
- We use any kind of media and cherish our individual styles.
- We support each other and draw together.
- We share our drawings online.
- We show the world, one drawing at a time
Instructor: Todd Cumpston
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UNDERPAINTING ON COPPER
Instructor: Patricia Rice • www.PatriciaRiceStudio.com During the Baroque Period, Dutch and Spanish masters painted small scale works on copper plates. What they didn’t know then, but what we know now, is that copper is the most archival surface on which to paint in oil! This unique surface, with its warm glow, creates radiant paintings, especially when bits of the copper are left exposed. Students in this class worked from a live model in Rice's home studio using burnt umber and white oil paint to create the portrait. This underpainting can stand on its own as a painting. At left: one of the studies from the workshop, by Kim Oshirak. |
